On Wednesday, I went on a trip to The Hayward Gallery: The Infinite Mix exhibition from 12pm onwards.
This exhibition had a variety of audio-visuals from different artists. The visuals contained documentaries with unexpected and imaginative turns when it comes to sound and editing. Not all of them have story lines to the visual and allows viewers to explore different types of art.
The visuals were all displayed differently from each other, for example there was holograms, 3D, collection of images, projections, normal videos and CGI. The whole exhibition had it's own unique concept and stands out.
Cameron Jamie - Massage the History (2007–9)

This video consists of provocative dancing from young black men in the living room, who were originally dancing to hip-hop but the soundtrack was replaced in order to refine the film.
The video uses different edits like a fade to the next scene and non-diegetic sound for the soundtrack.
Jeremy Deller & Cecilia Bengolea - Bom Bom’s Dream (2016)
This video was one of my favourites, due to the fact that it was extremely funny and has elements of bashment,
Bom Bom's dream contained a lot of CGI, for example the chameleon was one of the main factors of the video as it also came with an added on voice. Even though the CGI wasn't that great, it made it funny and this will humour the viewers. The video also used a green screen when it came to the shot in the clouds. A lot of editing was used in this video and that is what I liked about it alongside the bashment. The story behind this video was to have a cultural and contemporary effect like Alice In Wonderland
Kahlil Joseph - m.A.A.d (2014)
Kendrick Lamar was the main element of this short film. What I liked about this video was that it was dual-screen and sometimes it would show the same scene but in two different angles or the two screens would show two scenes that relate to each other.
Kalil Joseph used a variety of clips from news footage of police brutality, home videos from the singer's uncle and his own footage of everyday life. He wanted to show the people of Compton, whilst making a response to Kendrick Lamar's album. What I also liked about this clip was that he used lyrics from Kendrick Lamar's album and made changes such as distortion or cutting them to down in order to make rhythms to match his editing. The story was intriguing and caught my attention; the relation with sound and camera created an amazing visual of an African-American Community and I would like to use similar techniques that Kalil Joseph used in my music video.